Search: Starring Beatrice Dalle

Betty Blue is a film that hurls itself into being, brash and unbridled and now.

A mixed bag, as while Everett the actor masterfully evokes the mournful mix of decadence and decay of the last years of Wilde, Everett the filmmaker is, like so many before him, too much in love with the brilliant old rogue for his own good.

No plot, no point, except L'Intrus is consistently exciting to look at.

There's a loneliness, a melancholy at the heart of Livid that is truly haunting.

The documentary ultimately chronicles a provocateur in his quest against indifference and the conventions of an obscene normality.

Although this is set in the Nineties, the gritty feel makes it redolent of Seventies-set thrillers, a mood reinforced by the way that du Welz embeds us in Paul’s life from the start.

It's largely in Jarmusch's preferred genre of tittering, offbeat comedy, though, and he conjures up some brilliant scenarios and characters.

Morel struggles to bring shallow and uneven characters to life in what is ultimately an awkward and outlandishly graphic drama.

It's real video nasty stuff, ready to probe the sturdiest of constitutions and induce a succession of sacré bleus.

This is difficult, challenging viewing and a film of considerable bravery from Leigh and his performers.

If nastiness was a flower, Trouble Every Day would be a bunch.

It is easy to admire Haneke's skill as a filmmaker, but harder to enjoy the experience.